Carl Dahlhaus
Carl Dahlhaus (10 June 1928 – 13 March 1989) was a German musicologist who was among the leading postwar musicologists of the mid to late 20th-century. A prolific scholar, he had broad interests though his research focused on 19th- and 20th-century classical music, both areas in which he made significant advancements. However, he remains best known in the English-speaking world for his writings on Wagner. Dahlhaus wrote on many other composers, including Josquin, Gesualdo, Bach and Schoenberg.He spent the bulk of his career as head of Technische Universität Berlin's musicology department, which he raised to an international standard. Dahlhaus pioneered the development of numerous musicological fields, particularly the aesthetics of music, which he raised to a central status. Active as a historian, analyst, editor and organizer, he was massively influential and his work has since incited considerable discussion and debate. Provided by Wikipedia
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11Published 1982Other Authors: “…Dahlhaus, Carl…”
Classmark: LA 120 DahlBook -
12Published 1985Other Authors: “…Dahlhaus, Carl…”
Classmark: LA 120 DahlBook -
13Published 1988Other Authors: “…Dahlhaus, Carl…”
Classmark: LF 2 DahlBook -
14Published 1995Other Authors: “…Dahlhaus, Carl…”
Classmark: LA 120 DahlBook -
15Published 1987Other Authors: “…Dahlhaus, Carl…”
Classmark: LA 120 DahlBook -
16Published 1984Other Authors: “…Dahlhaus, Carl…”
Classmark: LA 120 DahlBook -
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20Published 1975Other Authors: “…Dahlhaus, Carl…”
Classmark: LC 1 DahlBook


